I’ll always read David Levithan’s books, even if they’re just okay, like this one. I don’t really have much to say about it except that I liked his previous collaborations with John Green and Rachel Cohn better.
Also, my cat knows me well.
I’ll always read David Levithan’s books, even if they’re just okay, like this one. I don’t really have much to say about it except that I liked his previous collaborations with John Green and Rachel Cohn better.
Also, my cat knows me well.
Gay relationships: it’s been done. There is even the now-cliche in films and stories of the gay guy who has the biggest crush on his friend and if only his friend knew… but then his friend does know and they get together and they live happily ever after! The end.
And sometimes even when you have a gay friend, there’s this implication that the two of you might get together just because you’re both gay, which seems bizarre but I’ve felt that in the past when meeting new gay people. I came across an article many years ago about the importance of gay friendships and at the time, I didn’t think much of it.
Until Glee came along.
So for those who don’t watch this wonderful show, Kurt is the token gay character in the show. He’s out in high school but a homophobic bully (who also happens to be closeted) makes him leave. Kurt then transfers to an all-boys school where homophobia and any forms of hate are non-existent. If only all high school across America and in the world, for that matter, were like Dalton Academy.
At Dalton, Kurt meets Blaine, a member of the school’s glee club who also happens to be gay. Kurt is smitten with him and back in February, in time for Valentine’s Day, Kurt confesses his like for Blaine. Perhaps surprising for many viewers, Blaine doesn’t feel the same for his friend, and says, “He doesn’t want to screw this up.”
How refreshing, I thought to myself, to see two gay characters on TV who didn’t hookup just because they both happened to be gay. In fact, all this time, I had been wishing Klaine, as folks call the couple, would stay two separate words.
Here’s why: Blaine is confident of himself and his talents. Sure, he had a slight questioning episode with that kiss with Rachel, but when we first met him, he appeared to be miles out of the closet whereas Kurt, although out at McKinley, was still emotionally vulnerable to homophobia. Blaine seemed, at least to me, the kind of person, Kurt needed to become a more confident, smarter, gay person in the future. I didn’t see Blaine as someone who would or should be romantically involved with Kurt, at least not for the time being. So when Blaine told Kurt he didn’t want to mess things up between the two of them, I thought for sure they’d stay good friends, which I was more than happy with. After all, Blaine can still support Kurt and they can both still be friends.
And why should they be together? Besides the fact that they both happen to be gay, why should they? “They would look so cute together!” is also not a valid response.
I commended the writers for keeping Klaine as friends because I thought it was refreshing to have two young gay characters who weren’t together just for the sake of throwing couples together (*ahem, Degrassi, ahem). And not just that, but I felt like it was saying something important about the value of gay friendships rather than relationships.
Anyway. But as of tonight’s episode — that’s a spoiler alert, by the way — after Blaine found himself looking at Kurt in a different light and kissing him, it appears that the two are now an item, which I have to say I’m not surprised to see, though I am a little disappointed. I guess we’ll see how things play out with the two of them.
In the meantime, I’ll cheer for Klaine, er, Blaine + Kurt.
Something I wrote for my poetry class. It feels like a complete departure from what I usually write but I like pushing myself to explore different subjects.
Hallway
Florescent lights, like a hospital patient room
Sanitized floors, trying to hide scuff marks
A crimson neon exit sign hangs above my head,
Me, a grim reaper with a gun
Number 1 and 2 fall soundlessly,
their hands in the other’s like I’ve always seen them
Always clutching, touching
3 screams before a silver reply pierces her lungs.
My devilish hands, puppeting my sight, spy 4, eyes closed
as if content for having lived only sixteen years.
I must turn away as my demon fingers pull the trigger
After wounding 5, she crawls on elbows, reduced to a human rowboat
But as I gain on her, cannon in hand, the boat sinks, a hole too many, liquid rushing out instead of in.
A sound startles me.
6 sits slumped, rocking back and forth, a pendulum
fingers creating trenches behind a crying face, moaning like a siren.
The sight slashes into me, deeper than any round I’ve fired
I nod in recognition of the pain he endures and will endure and continue
At the end of the hallway stand two white doors,
and before I pass, I turn around
It smells of death:
Blood tainting the floor
Flickering lights, like a morgue
They lie there, sleeping kindergarteners
Sons and daughters. People’s children.
Suddenly, pain surges and I unleash a fury of gray tears upon myself.
It started with a bullet. It will end with one.
My hands, still possessed, perform one last sin.
“How did it come to this?” I wonder as I christen myself number 7.