Intermezzo Op. 26, No. 4 — Robert Schumann

9 08 2010

Back when I was playing RCM stuff and having piano lessons, I started learning this piece but it was pretty difficult with me and I never finished learning it.  In one of my feature screenplays I wrote that features a lot of Classical music, the main character plays a “hard-sounding Schumann piece” and at the time, I didn’t know what piece it should be.  Then I remembered this one, and it seemed to fit what was going on.

Maybe I’ll start playing it again.  It seems like a killer for the right hand though — so many 16th notes, ugh.  Enjoy!





Ballade No. 1 – Frederic Chopin

10 06 2010

One of the juggernauts of not only Chopin’s works but of the Romantic/Baroque era.  Also, it’s hard to play.  I’m learning to play it and I’m stuck on the fifth or sixth page (out of 9?  I don’t even know!). It’s also the featured in the brilliant film The Pianist, where Adrian Brody’s character plays the piece in the abandoned house to the German solider at night.  Super awesome stuff.

Enjoy!





Allegro Con Fuoco

18 01 2010

Something I very quickly formed in a day for my Creative Writing Poetry class.  There’s a screencap of the original scrap of paper I scribbled on since I don’t even have a camera to take a picture of it.  (Seriously.)  This is only the first draft so if you don’t understand it all, don’t worry — it’s not that you’re stupid.  At least not this time.

Poem

First draft of Allegro con Fuoco poem

Allegro Con Fuoco

Fast with fire,
his hands are matches,
striking the wooden keys, trying to set them ablaze.
Though his father speaks of final preaching,
there always suddenly, subito, seems to be a repeat sign and it begins all over again,
a leitmotif no one wants to listen to.
Smooth slurred words, striking the hammers in his son.
The young man wishes his own speech tumbled out as he played,
as legato and articulated as the sixteenth notes,
that if only his father’s words were as flat as the key signature and as quiet as pianississimo.

His father, a permanent face over his shoulder,
Shaking his head in disappointment with every mistake.
Always pushing, never listening.
Sforzando! Marcato, marcato!
His fingers stretch to meet the octaves, banging on the delicate keys,
like a strongman game–
except the prize is his dignity and pride.

Every one of his words has been sotto voce,
mumblings underneath his breath while his father spews on like a cadenza, uninterrupted.
But with his music, his fingers agitated,
the notes are no longer just staccato, guillotined.
Purposely and furiously jabbing each note tenuto;
his music and words played to their merited length at last.

Back hunched and hands pressed firmly on keys,
the last enraged chord shouts out,
while his father only plays indefinite bars of rest.