Is this all really worth it?

8 06 2014

I’m killing myself looking up queer film festivals around the world to send my film to, but I bet it won’t be accepted in more than three-quarters of them. The more I go through film festivals’ programs, the more I see that they types of films they screen have the gay/lesbian/queer thing very much upfront — and that’s not necessarily the stories that I want to tell. Sure, I made Stay which was super gay, but with something like June, which I think is my best, most artistic film to date, I want to explore other issues than just being gay. Maybe my films are too weird/artsy to fit in to typical film festivals; I’ve been reluctantly submitting my film as an experimental film, which I never considered it to be when I made it. And when my mom came in as I was going crazy, flipping through multiple open tabs on my browser of different film festivals, she asked what I was doing. When I told her I was sending off my film to festivals to get super famous, she told me to stop dreaming and left. I don’t expect to get super famous from my films, but I’d like some validation that my art and my stories are worth seeing, worth showing to other people. I’m thankful June has been screened at the Vancouver Queer Film Fest, though they have screened legitimately weird things, so my film hardly qualifies as too weird for them.

Maybe I was right to give up on film. The acceptances of my writing in various lit mags (despite lots of rejection from other places) has made me feel confident that my stories are worth publishing. I guess I feel like I either have to make clear, narrative films with gay characters facing gay situations, or I shouldn’t be a queer filmmaker if I expect popularity. And I don’t know if I want to do that.

My brain is a pile of mush right now so I will leave my existential crisis at that.



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